

ARCHIVED from 2003
News and Reviews
from Pacific Northwest Wine Country
Going Solo
A new generation of winemakers takes off
By Anne Sampson
Mike
Januik laughs when he tells the story of his son’s dream to
someday run the family business. “Dad,” the
16-year-old told his father one day, “when the winery
is mine, I’m going to make a million cases.”
“That’s fine,”
Januik smiles, recalling the scene, “just be sure to send me a check
once a month.”
Januik's
smile lingers, as the memory of his own winemaking path
that led to the 1999-launch of his small Woodinville winery, Januik Winery. He had just ended his nine-year
stint as head winemaker at Chateau Ste. Michelle,
overseeing the production of hundreds of thousands of cases
of wine each year. Today, he finds happiness bottling just
3,000 cases of premium wines annually.
When Januik left Ste.
Michelle, he also left behind an industry-leading facility,
the marketing support of a large corporation, and many less
tangible “perks” like the chance to work side-by-side with
some of the best winemakers in the world, including Renzo
Cotarella of Italy’s Piero Antinori.
“I
thought I had one of the best winemaking jobs in the
country,” Januik reflects. “But part of me just wanted to go
out on my own.”
"Being my own
boss, in every sense of the word,
means more to me now than it did then..."
Januik falls into an
ever-increasing category of independent winemakers who
choose to go solo in their quest for excellence. Some bring
a veteran’s experience to their barrels, while others bring
fresh, young dreams of making world-class wines. Some
crush and bottle their wines under someone else’s roof.
Some have been tutored by winemakers at larger facilities.
But almost universally, these entrepreneurial winemakers
treasure the chance to personally oversee the making of
their wines... from the vineyard, to the bottle, to the
consumer.
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Januik
says one of the most satisfying benefits of independence,
albeit one he didn’t anticipate, is the close tie the rest
of his family now feels to the business.
“My two sons are 16
and 18, and they’re really connected to it in a way they
never have been before. They really think of the winery as
being their business one day.”
But
Januik doesn’t share his sons' dreams of grandeur.
“I don’t have that
need anymore,” he says. “I don’t want to make so much
wine that it becomes a chore to go out and sell it.
I don’t see
us making more than five to ten thousand cases.” More
importantly, he admits, is the chance to run his own show.
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Featured
winemakers
in this article
Bryce Bagnall
Marty Clubb
Eric Dunham
Mike Januik
Lynn Penner-Ash
Jay Somers
Joe Wright
Some
"Soloist" Wines |
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Januik
ran his own show in his 20s when he owned a wine shop and
deli, before pursuing the degrees and training that brought
him to Januik Cellars. He's happy to be on his own
again.
“Being
my own boss, in every sense of the word, means more to me
now than it did then,” he admits.
The
desire for independence is what also drives most of the
winemakers at the Carlton Winemakers Studio,
located southwest of Portland in Carlton, Oregon.
The brainchild of
winemaker Eric Hamacher,
the Studio provides equipment and space for a small group of
wineries who can’t, or don’t want to, invest the money to
build their own facilities.
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Tenants
currently producing wine at the Carlton Winemakers Studio
include Hamacher Wines, Soter Vineyards, Andrew Rich Wines,
Bryce Vineyards, Domain Meriwether, Dominio, and Penner-Ash
Wine Cellars.

Lynn
Penner-Ash turned to Carlton when she took her extensive
winemaking experience independent, after 14 years at Rex
Hill in Newberg, Oregon. Like Januik, she first learned her
craft formally at the University of California-Davis, then
through on-the-job training in Napa Valley, and then in
Oregon's Willamette Valley at Rex Hill Vineyards.
“In 1997, I went to
the owner of Rex Hill and asked to produce my own label, and
he agreed,” she recalls.
By 2000, she was
bottling more than 500 cases of Penner-Ash wines at
her employer’s facility, while her duties at Rex Hill
simultaneously were drifting more toward marketing and away
from winemaking. She decided it was time to make a change,
and the Carlton Studio became Penner-Ash’s new home. Today
she bottles 1,500 cases of Pinot Noir and Syrah under her
own label.
“The winemaking is all
handled in 120 barrels,” she notes happily, “and I can tell
you exactly what’s going on in every one.”
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Where they make
their wines
Marty Clubb
L'Ecole No41
41 Lowden School Rd.
Lowden, WA 99360
509-525-0940
Eric Hamacher
Carlton
Winemakers’ Studio
801 North Scott Street
Carlton, OR
503-852-7200
Mike Januik
Januik Winery
19730 144th Avenue NE
Woodinville, WA 98072
425-481-5502
Jay Somers
Holloran Vineyard Wines
2636 SW Shaeffer Rd.
West Linn, OR 97321
503-638-3676
Joe Wright
Belle Vallee Cellars
Corvallis, OR
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For Penner-Ash,
Carlton is an incubator; she recently planted six
acres of grapes, and the new vineyard will someday become
her winery’s permanent home. The facility is scheduled to
open by 2005 and will be for winemaking only (tastings by
appointment). The new facility will emulate that of
the Carlton Studio, and will be as “green” as possible,
built with recyclable and sustainable products.
Many independent and
start-up winemakers rely on rented space and equipment,
because it’s the most efficient way to get started, both
from a financial and a legal standpoint. The requirements
to be bonded as a winemaker make it far easier to use
another winemaker’s space, if the two can manage their
operations together under the same bond.
Januik,
for example, crushed his first vintage at Waterbrook
Cellars in Walla Walla, then three more at Three Rivers
Cellars. One of the few drawbacks is that
all equipment must be idle for 24 hours before a different
winemaker can use it. Next, Januik began consulting
for a vineyard project in Easton, Washington, and then with
that group’s Novelty Hill Wines. When he became
Novelty Hill’s winemaker -- as he continues to be today, it
was a natural decision for Januik to move his own label into
Novelty Hill's Woodinville facility.
Jay Somers of
J Christopher wines speaks of the invaluable trade
mentoring he received by the side of Cameron Winery
winemaker John Paul. Somers was still collecting a
paycheck as assistant winemaker
when he made his own first J Christopher vintages.
“It’s really great
making your wines with someone who’s been doing it a long
time,” says Somers. “While I was making my wine at Cameron,
I had John Paul around to taste it, to help solve problems.
Little things come up, and he was able to say ‘oh, yeah,
this is how we handled that when it happened in 1983.’ You
learn more” (than you would on your own).
Somers bottled three
vintages at Cameron. Then, in 1999, he joined forces with
Bill Holloran, who was opening a new winery. Somers
oversees both labels, bottling 2,700 cases of J Christopher
and about 1,000 cases for Holloran Vineyards Winery.

Another independent
Carlton Studio tenant, Bryce Bagnall, also dreams of owning
a facility. Bagnall’s career echoes Penner-Ash’s in several
ways; both are UC-Davis graduates, and both
learned a
great deal about making wines first at Napa Valley wineries,
then at Oregon wineries.
After working at Edna
Valley Vineyards in California for nine years, Bagnall spent
a year in Europe studying the wines of France. When he
returned to the U.S. in 1995, he settled in Oregon.
“My wife and I wanted
to start building a little something for our future,”
Bagnall explains. In 1999, the couple planted four
acres of pinot noir at Ribbon Ridge, a sub-region of the
Chehelem area (currently being considered for American
Viticultural Area status) located in the North Willamette
Valley. Unlike Penner-Ash, Bagnall has kept his day job as
winemaker and vineyard manager at
Witness Tree Vineyard,
working on his own Bryce Vineyard wines after
hours. (Bryce Vineyard was closed after Bryce's death.) He’ll release his first vintage, 225 cases of 2002
Pinot Noir, crushed and bottled at the Carlton studio, in
November 2003.
Bagnall opted to go
directly into his own space at Carlton, jokingly referred to
as his “single-car garage,” because “our goal was to
establish an identity through retail sales, and Witness Tree
didn’t want to be a part of that.” Bryce Vineyards
has the potential to produce 500 cases, all of which will be
sold from his tasting room.
Continue...
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Copyright © 2003- 2010 Susan R. O'Hara. All rights reserved.
Last revised:
04/15/2011
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